Project Description
Anastasia Gatto
Artist Statement
When I was a young girl I found in a family scrapbook a watercolor painted by my
mother of the island in Greece she left behind. Years went by, but somehow I always
knew I, too, would paint. Many classes and workshops later, I find myself constantly
experimenting with different techniques. Because I don’t have a preconceived idea of
what a painting will finally be, to be successful I have to let go, move out of my comfort
zone, and allow the work to evolve on its own. My hope is that viewers will appreciate
whatever subject I paint and see my work through my eyes.
BIOGRAPHY
Born in Pennsylvania, Anastasia grew up in southern New Jersey and now lives in
Auburn, Maine. Her interest in art began in early childhood, and she became a full
time artist in 1997. A daily painter, she works in oil, encaustic, and pastel. Anastasia
primarily paints the landscape and is best known for her color choices and her
impressionistic style. She has also been recognized nationally and internationally for her
portraiture and animal pastels. Her goal is to capture the essence of the beauty she sees
around her and to share it with others. A member of the Plein Air Painters of Maine, she is also a signature member of the
Pastel Society of Maine.
Awards
2017 Wholesale Frame Company Award Connecticut Pastel Society “Renaissance in Pastel” Vernon, CT
2016 Amadeus Award 8th Annual National Juried Exhibition, Pastel Society of New Hampshire “It’s Pastel” Portsmouth, NH
2016 Richeson Merit Award 17th International Juried Exhibition for Pastel Only Portland, ME
2015 Dick Black Award Connecticut Pastel Society “Renaissance in Pastel” Stamford, CT
2014 Honorable Mention, Holiday Members Show, Pastel Painters of Maine, Bath, ME
2006 First Place Westbrook Art Festival, Westbrook, ME
2004 Best of Show, L/A Art Festival, Lewiston, ME
2001 Honorable Mention, Regional Juried Exhibition, Norway, ME
Available Work
Past Work
Videos
Pastel as Process
My first attraction to pastel was the luscious velvety texture. It is pure pigment with no medium needed to break it down. Pastel is direct and tactile so there is immediate gratification with this medium.
I was drawn to an ethereal style, and found that effect through JMW Turner and sought to translate his method somewhat into my pastels and encaustics. I also admire Monet, Manet, Degas, Sargent, Velasquez, George Inness, and Renoir to name a few which led me to a path of Impressionism or for the techniques that impressed me.
The process of pastel is very different in many ways from encaustic. Texture for pastel can be achieved in a variety of ways such as adding pumice gels to add grit, rougher sanded paper, or fixative to name a few. The encaustic texture is the building up with paint and medium. (Pure pigment with beeswax and resin) After applied it must be burned in (fused) with either a heat gun or blowtorch.
The common bond that pastel has with encaustic is the layering. Pastel is grazing color on top of color which adds depth or a fixative can be used, whereas encaustic shows multiple layers with each fusing.
My transitioning into encaustic has changed to where seascapes and marshes are my desire, as well as continuing to paint the landscape. My primary subject for pastel was landscape, portraits, animals, and still life.
Presently I am painting solely in encaustic, but still love and will never say goodbye to pastel.